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May 2001 Reviews by
RATING SYSTEM:
= GODDAMN!!!
= EXCELLENT
= VERY GOOD
= GOOD
= FAIR
= SHITTY
May 2001 Comment Piece: Celebrity Endorsements
Celebrity endorsements... This is a concept that amazes us for the simple and peculiar reason that they work on so many stupid and feeble-minded people. Celebrity endorsements are always obnoxious...but even MORE so when they are associated with selling a new musical artist. After all...who CARES if Sting (vomit!) or some other obnoxious rock star asshole is pushing some boring new rock band...? Apparently lots of people must care about such dumb bullshit...as the wealth of press releases that cross our desk are living proof. Biography after biography after page after page of people trying to sell a new artist...most often by tagging onto the coat tails of some other more well known "living legend." We here in the lovely yet increasingly obscure babysue offices are impressed first and foremost by talent, style, and the ability to get a point across. What does NOT impress us is...how an artist's latest CD is currently "charting"...what radio stations are playing their music (who the hell CARES?!?), what television shows they have appeared on (yeeeechhhhh...), and what big influential magazine or web site has done a goddamn FEATURE on the artist. Of course, we know that our ideas do not reflect those of the general public... But God oh God how we WISH that they DID...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Absalom Recordings 3" Series
(Limited edition subscription based 3" CD EP
series)
We opted to review this unique label's subscription service rather
than their individual artists because 99.9% of you out there have probably never
heard of the individual artists anyway. Absalom Recordings is a
wonderfully unique Canadian company with a curious mission...to present
underground and unknown artists to a very esoteric audience by means of a
subscription service whereby the purchaser receives cool little 3 inch CD EPs in
the mail, each featuring a new and obscure artist. The best part? At least from
what we've heard thus far, the quality KICKS ASS. The first disc we heard from
The Autumns features wonderfully haunting pop music that is both
atmospheric and melodic. This band's vocals and guitars are absolutely
fantastic. The second disc from Songs: Ohia (who we have heard from in
the past) features a 13 minute plus cut that is minimal and curious. This is
neither "garage" rock, nor is it second rate home recorded junk. These discs are
professionally recorded and produced. We're going to let you click on the
label's web site (above) to find out more... Our initial opinion is that this is
a GREAT series featuring some wonderful artists in a unique (and probably highly
collectible) format... We continue to be amazed at the wealth of talent coming
out of Canada these days... Very, very NEAT. (Rating: 5)
The Actual Tigers - Gravelled and Green (Advance CD-R, Nettwerk, Soft pop)
Very smart and
well written soft pop music from The Actual Tigers. You can tell that the
band and their producer spent a great deal of time on the arrangements on this
ultimately rewarding collection of tunes. Produced by Dennis Herring
(probably best known for his work with Camper Van Beethoven),
Gravelled and Green sounds GREAT. Not only have these fellows penned some
interesting tunes for this CD, but their execution (particularly with the
vocals) is way above average. From listening to this, we had a hard time
believing that this is a debut disc (?!?). It would take most bands five or six
albums to reach this level of maturity and skill. These tunes don't smack you
over the head, but rather grow on you gradually. We had to spin this one several
times before we came to the conclusion that it is wonderful. That must surely be
the trademark of truly good music...when it gets better the more you play it
(instead of the opposite). Twelve fulfilling tracks here, including "Yardwork in
November," "Halfway House," and "The One That Got Away." (Rating:
5)
Bee Gees
- This Is Where I Came In (CD, Universal, Pop)
The
"energizer" Bee Gees . They just keep on going...and going...and
going...and going... And unlike most bands that keep on going and
going...Australia's Bee Gees remain credible and still have something viable to
offer. We recently obtained remastered CDs of some of their early material...and
we found it to sound just as incredible as it did when it was originally
released. We have always felt that it is unfortunate that the period that the
band is best known for is that horrible Saturday Night Fever disco
phase...eeeeeeeyuchhhhhh! Even though the band was peaking commercially,
artistically they were at their lowest point. But that didn't last for long, as
a couple of years later the band went back to recording what they record
best...pure pop. So now it is 2001...and what do we have here...? First off,
Barry, Robin, and Maurice Gibb still look great (they
always were dashing gents). In addition, their vocals still sound fantastic.
Lastly (and possibly most importantly), the fellows still know how to write some
DAMN good tunes. Oh sure, this is much slicker and more middle-of-the-road than
the band's very early stuff...but that is to be expected. After all, we can't
still expect them to sound the same now...can we? Maybe, maybe not. But whether
the sound is similar or whether it is not, This Is Where I Came In
contains some KILLER tunes. The first track to really scratch our fancy was
"Sacred Trust," a completely irresistible upbeat dance tune that is catchy as
hell. Also of note is "Wedding Day," which contains more of the band's trademark
romantic lyrics. "Technicolor Dreams" is the real surprise here...a boppy little
number that sounds like a cross between Harry Nilsson and The Bonzo
Dog Band. We felt that Still Waters (the band's last studio album)
was a great artistic success, but it was virtually overlooked by most people.
Hopefully more ears will be open to this disc, as the music of the Bee Gees is
just as vital and alive as ever. Almost all mega-famous artists fall prey to the
unfortunate byproducts of fame. Mr Gibb, Mr. Gibb, and Mr. Gibb have managed to
keep their egos in check and their talents in good standing. Another welcome
release from one of the TRULY GREAT pop bands of all time. (Rating:
5+)
Jerry Bonham -
Spundae Presents Interpretations II by Jerry Bonham (Double CD, Mute, Electronic/dance)
We once had an
aversion to reviewing CDs by DJs. If you think that it is confusing in the world
of rock music where every musician is now in three or four bands, the world of
electronica and dance music is made even more complicated by the fact that every
artist records under five, ten, twenty or MORE different names. Thankfully, we
have now overcome our dumb aversion. How? By simply not trying to keep up with
all of the names and just enjoying the music. After all...is it really necessary
to keep up with all the individual band names? Nowadays with all the DJs on the
planet picking and choosing the music for us, we can just let someone else do
the work. DJ Jerry Bonham is a case in point. This whopping double CD set
contains a whole slew of new material from artists we had never heard before
(Lovesky, Second Hand Satellites, Chiller Twist,
Minders, Cass, Souldriver)...but what almost all of these
artists have in common is a desire to produce beat-driven electronic music with
a minimalist sound. Minimalist dance music being our favorite, we had our hands
all over this one as soon as it popped out of the envelope. In addition to
spinning tunes, Mr. Bonham is also co-owner of Spundae Reckords in San Francisco
and apparently is also a major club player in the area. In addition to lotsa
great dance music on these two discs, the foldout artwork is also cool as hell.
Lots of great stuff here...and the best part is, all YOU have to do is remember
the name Jerry Bonham...and he will keep up with all the individual artists FOR
you. Too bad everything ain't that easy...HUH? (Rating: 5)
Tim Buckley - The Dream Belongs To Me: Rare and Unreleased Recordings
1968/1973 (CD, Manifesto,
Folk/pop)
Before we even begin here, let us state that prior to hearing this
disc we were not familiar with the music of Tim Buckley...although we
have seen and heard the name for decades. We are, however, quite familiar with
the Manifesto label and can report from our experience thus far that just about
anything this label puts out is worthy of attention. Such is the case with this
disc containing rare and unreleased recordings by Buckley. Even though this CD
is probably aimed at collectors and fans, for us it serves as a fine
introduction to a man whose music for whatever reason escaped us over the years.
For others who might be in the dark like we were, Mr. Buckley was a folk
singer/songwriter whose main musical output occurred in the 1960s and 1970s. His
career ended in an unfortunate heroin overdose. So...our reaction to this CD...
Although we regret that we obviously weren't paying attention to what he was
doing at the time, we are certainly pleased to be able to hear Tim's material
after the fact. Buckley has a wonderfully sincere vocal style and his songs
sound slightly familiar (which means we probably heard a few of these tunes in
the past without realizing it). The disc is divided into two parts. The first
six tunes are previously unreleased recordings from 1968, while the remaining
eight cuts were recorded in 1973 (just prior to the recording of the
Sefronia album). Buckley's story is an interesting one...he was a man
more interested in the integrity of his music than selling lots of records.
Still relatively obscure in the big scheme of things, hopefully this disc will
make others (like ourselves) more aware of this talented fellow from the past...
(Rating: 5)
Continental
Drifters - Better Day (CD, Razor and Tie, American
pop/rock)
Continental Drifters... We've heard the name, but to our
knowledge we had never heard the music until now. Apparently these folks have
captured the imagination of a great many reviewers...and we can now add
ourselves to the list. What impresses us most about this band's music is the
extreme lack of pretentiousness. The music is Americana roots based rock/pop
with a decidedly commercial bend. Considering the overall sound of this band, we
find it most interesting that both Peter Holsapple and Susan
Cowsill belong to the group (the tunes on this CD sound like neither). The
production here is slick, yet appropriate. Continental Drifters music is so void
of attitude and gimmicks that a great many folks may simply fail to notice it
because of the plethora of artists out there in the world. Make no mistake,
however, that these six individuals are providing some genuine and heartfelt
music that will just make you feel GOOD. Our favorite tracks are "Na Na," "Long
Journey Home," and "Where Does The Time Go?" (Rating: 4)
Alejandro Escovedo - A Man Under the Influence (CD, Bloodshot, Introspective
pop)
This is a very cool and very subtle collection of tunes. While A Man
Under the Influence didn't grab us initially, after three or four spins we
found ourselves helplessly pulled into the music of Alejandro Escovedo.
Mr. Escovedo's music could best be described as the "singer/songwriter"
variety...as melodies and lyrics seem to take precedence in these tunes. The
songs on this disc are haunting, soft, and feature some absolutely stellar...if
not wonderfully subtle...arrangements. The icing on the cake are those sexy
vocals. This fellow comes across sounding sincere, thoughtful, and masculine. If
you're like us, by the time you get to the end of this disc you'll be caught
hook, line, and SINKER. Eleven great tunes, with our top picks being "Wave,"
"Rosalie" (wow!), "Don't Need You," and "About This Love." Though this disc will
probably be reviewed, discussed, and played mainly in underground circles, in
actuality Escovedo's music has the potential to be very big in a (gasp)
commercial sense (and we mean that in a complimentary fashion). Produced by
Chris Stamey (who was formerly a member of The Beatles). VERY good
stuff here... (Rating: 4++)
Ex Models -
Other Mathematics (CD, Ace.Fu,
Rock)
Excellent hard rock with a DIFFERENCE. If you ever dug the jagged charm
of Devo's first album (but hated everything that followed) or if you got
off on very early Gang of Four (before they turned crummy), then you
would do very well to check out New Jersey's Ex Models. This is one loud
band that DOES NOT sound like all the rest. In the world of hard rock we get
very tired of all those generic bands who simply turn all the way up and then do
nothing but slam out power chords for an hour straight. Oh sure, the idea worked
for The Ramones in the 1970s...but what few people realize is that
everyone (unfortunately) cannot "BE" The Ramones (!). Ex Models use driving
rhythms to draw the listener into their music...but then the yelping/squawking
vocals and completely unpredictable liquid guitars slap you immediately into
SUBMISSION. These guys are so much smarter than your usual hard rockers. In
fact, they are probably over the heads of most folks. Top picks: "It's On
Television," "The Birth of Disneyland," and "The Fun System." Even the lyrics
cook on this baby. This is stuff that you can either dance to or simply overdose
on with your favorite medication. Spastic, chaotic, nervous, and
energetic...this is one HELL of a COOL GODDAMN BAND. (Rating: 5)
Explosion Robinson - The Luxury Leader (CD, Slabco, Electronic/dance)
Simple and
slightly goofy dance music craziness by one man band Stephen Herman, who
was a former member of Sukpatch. There are two kinds of electronic
dance/party music...the kind that we like...and the kind that we DON'T like.
The Luxury Leader comfortably fits in the former category, as it is
almost impossible NOT to love these bouncy and upbeat tunes. By day, Mr. Herman
designs Tommy Hilfiger clothing for children (?!?). Actually, that isn't
so surprising...because if kids could actually get their hands on this music,
they'd probably go APE over it. Bright and happy stuff by a man who isn't trying
too hard (a rarity these days). This is easily worth a couple of hundred
spins... (Rating: 4)
The Fleshtones - Solid Gold Sound (CD, Blood
Red Vinyl & Discs, Rock)
Some bands never give up, although in most
cases we wish that they would. In the case of The Fleshtones, the boat is
still chugging along nicely...and these guys still have whatever it was that
made them so appealing back in the seventies. We're tempted to say that these
four gentlemen were playing garage rock before it became hip, but that would be
such a dumb statement seeing as how garage rock has always been hip and cool
(?!?). In any event, these guys serve their meals up right. The tunes are still
basic, straightforward, and bitchin'. Vocalist Peter Zaremba still has
that throaty rasp thing down. Tunes like "New Song" and "Ten Dollars More" will
more than please the band's devoted fan base... (Rating: 4)
The Frogs (Live performance, April 6, 2001 at The Earl, Atlanta, GA)
Heading
off to this show, we weren't sure what to expect from this band in
concert. And after the show was over, we weren't exactly sure what we had
experienced. One strike against the band was thatThe Frogs made a
very small audience wait an hour and a half to hear them play when they could
have very easily started on time. Because we do not "hang out" in smoky
bars, we had to wait outside wasting our time (which is something we are not
crazy about). At long last The Frogs hit the stage...Jimmy Flemion
in his notorious green sequin bat wings and brother Dennis in blackface,
along with an odd little bass player decked out in hot pink. The band
immediately launched into a bunch of semi-punk/garage material, most of which we
had never heard before. The first part of the set was loud and intense, and
seemed to satisfy the small yet appreciative audience. As most readers are
probably already aware, The Frogs are known for their odd sense of humor...and
this was certainly intact, particularly as the show progressed. The band
taunted the audience almost constantly, which we enjoyed very much. They
even spit a guitar pick at us, which was flattering... What was most
disappointing about this show was that The Frogs played but a mere two tunes
from Hopskotch Lollipop Sunday Surprise (and one of those tunes was
barely recognizable). Sure, the band got folks laughing, yelling, and
having fun...but for the most part they failed to play what we consider to be
the very best material they have. But judging from this performance, we
would say that these men are not out to please people nor to perform the
material that people want to hear. Instead, their point seems to be to alienate
crowds and do everything in their power to ensure that they will always be
toiling away in relative obscurity. That in itself is admirable and
intriguing...but it still wasn't a plus in a concert setting. Of course,
hearing Jimmy sing "F*ck Off" solo was more than worth the price of admission
and the wait...as were other tunes he performed alone which showed just how
great a singer and songwriter this man truly is. But judging from the
reaction of the audience, soft contemplative stuff wasn't what they
wanted. Unfortunately, The Frogs will probably never be appreciated for
what they do best...because unless they are willing to compromise, virtually no
one is going to take them seriously (which is most likely exactly what they
want). We personally love the band's "serious" music so much that we felt
slighted that they provided so little of it at this show. Would it have
required all that much effort to play "Bad Daddy" or "Better Than God"?
This concert ranged from being incredible and unforgettable...to being tedious
and tiring. As a result, we aren't going to rate this...although it was, to
say the least, a very INTERESTING experience (with some real HIGHS and
real LOWS...) that we would not have missed. We would suggest picking up
the band's latest CD. No matter what the band does or does not do in concert,
they more than make up for it with their studio recordings... (Not
Rated)
Greasy Beans -
Real Live Music (CD, Double Ought, Bluegrass)
Ahhhhh...if only ALL
artists were as genuine and DIRECT as Asheville, North Carolina's Greasy
Beans. These four guys obviously know exactly what they are striving for,
and even more importantly...they SUCCEED. Real Live Music is exactly what
it proposes to be...five bluegrass musicians playing direct to tape (using tube
microphones) with no overdubs. What makes this disc even more interesting is
that twelve of the thirteen tracks are originals. How many bluegrass bands can
make this claim? No frills...no gimmicks...no fancy stuff. Just real good
toe-tappin' music played from the heart with gusto and style. If'n ya'll wanna
contact them nasty ol' beans you can e-mail 'em at [email protected]
or write to 'em at Double Ought Records, 825-C Merrimon Ave., Box 347,
Asheville, NC 28804...or just click on that goddarn web site linky dink above...
(Rating: 4++)
Ken Ishii -
Flatspin (Japanese import CD, Sony, Electronic/dance)
We had
previously experienced the music of Japanese technosuperman Ken Ishii, so
you can bet your granny's doodoo that when this CD arrived we snapped it into
our player IMMEDIATELY. Flatspin is...a FANTASTIC listen. Full of super
heady electronic noodling, this thirteen track disc will make you want to move
and laugh (Ishii's sense of humor definitely comes through loud and clear on
many of these tracks). Just as is the case in the world of rock music, there are
too many people all doing the same thing with electronics...and most of them
tend to merge into one nonexistent BLUR. The fortunate thing about this social
phenomenon is that those who don't take the standard paths really stand out BIG
TIME. Mr. Ishii has been writing and recording music since the early 1990s,
learning new recording tricks along the way. Flatspin is an amazingly
mature and intelligent creation, and possibly his most impressive album ever. No
mindless dance music here. While the standard dance beats are applied, the
completely spaced out electronics will put you in a mental whirlwind. This is
like organic L.S.D. for the mind as well as the body. Extremely technological in
nature, these tunes still possess a unique individual spirit that is both
credible and incredible. Fave cuts: "Grab It Attack It," "Flatspinning Loop 1,"
and the subdued jazzy flavor of "Frozen Reminiscence." Neat, neat, neat, neat,
NEAT. (Rating: 5+)
Jamie Janover and Michael
Masley - All Strings
Considered (CD, Realm Music, Instrumental/Hammered
Dulcimer)
Talk about different. It's not every day that we receive CDs
featuring nothing but hammered dulcimers (?!?). The best part is that this CD
contains some wonderfully dreamy instrumental music by two fellows who are
intent on once again enlightening the public on the possibilities inherent in
this ancient stringed instrument. Michael Masley has developed his own
unique way of playing the dulcimer, and his efforts have paid off. He has played
on recordings by Tom Waits, Butch Vig, Ry Cooder, and more.
Jamie Janover has also made some impressive contacts, having played with
Stanley Jordan, Bela Fleck, and others. Together, these gentlemen
play like there's no tomorrow. Some of the tracks on All Strings
Considered are soft and soothing...while others are strangely fast and
furious. Particularly fascinating are the cool resonant tones of the instrument
that come through crystal clear in these recordsings. This is a wonderful breath
of fresh air for us, as we are always on the lookout for things that are unusual
and unique. Eleven tracks, including "Ragasutra," "Mnemonic Harmonics," and
"Twice Versa." Cool stuff... (Rating: 4++)
Lady Lady Lady Lady (Whatever we want them to be kind of
things)
Have a little champ full of Lady Lady Lady Lady. Them's four
that you can't seem to keep straight, and what then? Ain't no rhyme nor reason
as to what it's all supposed to reach for anyway. Them kinda fish is what ain't
got no washin' today in the first place. You try spillin' their scales and
tippin' their trunks, and they still lay way down low in the bottom trying to
breathe and keep their lungs clean. It's a poor old pail of worms that gets
caught in the sticky warm truckerload. For the pure strength of mission, there's
nothing better to bend down on and push. String 'em up low now...and screw them
tit clamps on good and tight. This little lady is good for the night. (Rating:
1)
Last Days of April - Angel Youth (CD, Deep
Elm, Eclectic pop)
Wow. And wow. And...WOW, goddamn it! This is
really cool as well as really different music. When we slammed this baby into
our player, the first band that came to mind was the wonderfully inventive
Starlite Mints...although there are only slight similarities between the
two bands. Perhaps the reason the Mints came to mind is that Sweden's Last
Days of April sing very upbeat and happy tunes that are counterbalanced by
some very unorthodox arrangements. On the first listen, the tune that really
bent our minds the most was "Make Friends With Time," a simple little
harpsichord-based tune that is so damn beautiful...that we had to pause and
listen closely to the lyrics (you can bet yer bottom buttons that don't happen
often in THIS here padded muffin hole). This band doesn't sound like they're
from Sweden...or the United States...or from Great Britain...or anywhere in
particular. They have somewhat of an androgenous sound that is slightly
offbeat...and yet strikingly familiar. Great melodies abound throughout this
disc...and the vocals are to DIE for. This is one of the best new bands we've
heard in some time. Killer tunes like "From Here To Anywhere" (Jesus Christ!)
and "Will the Violins Be Playing?" are unforgettable gems that make us feel like
we are flying through the sky... RECOMMENDED LISTENING. (Rating:
5++)
Le Duc -
Celebration (CD, Nutone,
Dance/electronic/Middle Eastern)
We've taken a particular fancy to dance
music (again) during the past year. Le Duc has captured our minds and
imagination in a rather BIG way. This band's computer-driven dance music has a
great deal more to offer than most. Certainly the repetitive beats are there
(obviously a necessity in dance music)...but the strange orchestrated layers of
sound that the band casts over the top are mind expanding and wonderful. We
particular love the segments on this disc where the beats drop out altogether
and the listener is left with nothing but spacey sounds (makes one feel as if
one is floating aimlessly). Some tunes have vocals while others are pure
instrumentals. Unlike most dance bands that have one sound and stick with it,
the folks in Le Duc are much more varied. Our initial favorites here are
"Paccaya," "Kali," "Deus," and "Mission"...but in all honesty, the entire album
kicks our holy souls. This will most certainly appeal to folks who are into
Banco de Gaia and Transglobal Underground. CoooooooOOOOOOOL stuff!
(Rating: 5)
Mark Lewis -
Global Frequencies: Tokyo (CD, Phatt
Phunk, Electronic/dance)
Mark Lewis is originally from South
London, where his neighborhood friends were Carl Cox and Paul
Oakenfold (wish we had friends like that in OUR neighborhood). Lewis has now
planted roots in Los Angeles where he has teamed up with the Phatt Punk label.
Their mission? "To translate the sounds, sights, tastes and possibilities of the
amazing locations a DJ visits." (That's a quote from the press release, natch.)
Not a bad idea...but even better when it is executed so well. In addition to
cool packaging, this disc also includes some lovely photography work in booklet
form by Ray Klein. Klein will be contributing photographs to more
Global Frequencies releases in the future. But jeez...you may ask...what
about the MUSIC? Well, as you might expect, the tracks here are computer
generated dance music. Unlike some of his contemporaries, Lewis seems
comfortable spinning tracks that are quite basic (a good reference point would
be DJ Hooligan's "Eichelruck"). Other artists featured include Alpha
Project, Timo Maas, Base Twelve, and Future Cast. If
you either don't have the money or don't feel like flying around the world to
discover other places and be exposed to some ass whipping music, this CD series
may just be your ticket to enjoying the sights and sounds of the world in the
privacy of your very own living room. And there's nothing wrong with
that...because that's exactly what we'll be using this disc for...
(Rating: 4+)
Linus of Hollywood - Let Yourself Be Happy (CD, Franklin Castle/Oglio, Totally pure and happy pop)
If
you don't like happy music, you'll want to completely avoid this artist. Our
first reaction was...Linus of Hollywood? What is this, some kind of a
joke band? Not only is this an incredibly upbeat and happy artist, but you can
be quite certain that Linus is no joke...despite the fact that he does an
amazingly pleasant and preppy cover of Ozzy Osbourne's "Goodbye to
Romance" (?!?). To make matters even stranger, Linus has also been involved in
records put out by Smashing Pumpkins, Puff Daddy, and Lil'
Kim. Still confused? We are definitely confused...but we are also mighty
impressed. Being very much into breaking traditional boundaries regarding who
hangs out with who, we can identify with where Linus of Hollywood is coming
from. Why distance yourself from groups on the other side of the pond when you
can merge with them and everyone comes out ahead? Variety is the spice of life,
and this artist is a case in point. One thing you can almost bet your dandy
britches on...folks in "hip underground circles" are going to HATE this guy. Not
because he's not good...but because his music is so purely and amazingly upbeat,
melodic, and happy. If it weren't for the fact that many of these tunes are
actually quite complicated, we would categorize this as bubblegum music. Here in
this thumpy little rotunda, we like happy bubblegummy stuff just as much as we
like the loud and violent brands. Accordingly, this Linus fellow gets the thumbs
up from us. His songwriting is well above average, his vocals are as clean as
Polident, and the man's got a sense of humor as well. This one doesn't seem to
fit in anywhere...and for that reason alone, we dig it. (Rating:
4)
LN -
Plum Brook EP (CD EP, Velvet
Blue Music, Pop)
Subtle and abstract heady soft pop. LN is the
trio of Gary Murray (vocals, guitars), Denny Kopp (bass), and
Nathan Abel (drums) who live in Bowling Green, Ohio. The band was
originally titled Love Neptune but later decided to shorten the name (?).
The tunes on this EP are slow, soft, droning, and atmospheric. In a way, these
tunes are almost jazz-like because of the abstract instrumentation. The vocals
are as subtle and odd as the guitars...making each of these tunes something that
would be very easy to fall asleep to. Because we are always so nervous and
uptight, we can certainly appreciate anything that calms us down. This does it.
Easy does it. Does it...easy? Why certainly, dearie... Five tunes. "Le Sabre,"
"Could This Be True?," "Goodbye Rain Song," "L'Avenir," and "The Plum Brook
Station." Those groovy people at Velvet Blue Music sure know how to pick 'em...
(Rating: 4+)
The Lucksmiths - Why That Doesn't Surprise Me (CD, Clover / Drive-In, Pop)
Intelligent low-key
pop music that reminds us of Cinematic (David Gedge's current
band). The Lucksmiths hail from Melbourne, Australia...but from the sound
of this disc you'd swear the band was British (that's not a cut...we have always
admired English style pop). The band writes extremely melodic yet complicated
mellow pop music. Not only are the tunes strong, but the arrangements are
impeccable. This is a very lushly produced CD with a nice thick sound and
wonderfully clear vocals (we can understand almost every word, which is a
feather in this band's hat). Even though this is an "indie" release, we would
bet that with the proper marketing and promotion this band could become HUGE in
the world of commercial music. These tunes bop along so nicely that before you
even realize it you will find yourself tapping your toesies and humming happily
along. Our top fave here is the slightly strange "Broken Bones," which features
some really clever lyrics. Quite good indeed... (Rating: 4+)
Lunachicks
- Babysitters On Acid (CD, Go-Kart,
Rock)
For those who are familiar with Lunachicks, this reissue of the
band's debut album will come as a welcome surprise. For those who have never
heard of the band, Lunachicks are five gals with image and attitude to spare.
Hard to believe that these ladies have been at it now for over a decade. Hearing
the band's first album, it sounds even better the second time around. The music
is stark, loud, snotty, and raw. The Lunachick chicks have always had a rather
masculine sound, but this is particular true on Babysitters On Acid.
Theo's vocals sound particularly nasty. For us, the lyrics have always
been the big draw with this band. So few people seem to be able to write really
good lyrics that are also funny. The lines on this album remind us very much of
early Redd Kross. If you never picked up on the band, this is an
excellent place to start. If you already know them, well then...you probably
already have this then, don't you? (Rating: 4+)
Masters of Reality - Welcome to the Western Lodge (CD, Spitfire, Rock/pop)
For some silly
reason we were expecting Masters of Reality to be a heavy metal band. Boy
were we wrong, as this band has virtually nothing in common with the
disappointing world of those who are overly loud, usually drunk, and almost
always overweight and hairy. Instead what we have is a very heady and thickly
produced batch of tunes that border on pop...but they're a bit more adventurous
than the term would lead you to believe. The band is headed by Chris Goss
who many may know for his production work with bands such as Queens of the
Stone Age and Kyuss. So, as you might expect, the sound quality KICKS
PANCAKE NUTS. But even more importantly the songs are slightly seductive and
creepy and feature very inventive vocals that suck you in like banana putty.
Cool atmospheric guitars creep around each and every bend, and the rhythm
section is superb (and somewhat unpredictable). If you're looking for catchy
material, you won't find it here. There are no singalong choruses. But if you're
looking for something intelligent and challenging, then you may have just found
your long lost baby. Studio tricks abound throughout, making Welcome to the
Western Lodge a disc that will hold up to many repeated listenings. This
disc reminds us very much of Reeves Gabrels. Damn good stuff. (Rating:
5)
The Mercury Program - All the Suits Began to Fall Off (CD, Tiger Style,
Instrumental)
Something like a cross between labelmates Tristeza (who
we love) and vibraphone kings The Dylan Group (who we also love), The
Mercury Program play a heady sort of instrumental music that borders on
jazz. There seems to have been an increasingly varied appreciation of music over
the past decade in the world of underground rock and pop. Whereas fans once
grasped one style of music and were loyal until the end, nowadays a great many
folks (including ourselves) appreciate a wide spectrum of musical styles from
the present as well as the past. This sort of mind expansion almost gives us
hope for the human race...but not quite. By its title, All the Suits Began To
Fall Off seems to even suggest this new and more varied ideal of music
appreciation. Though only an EP, there's a lot to love about this CD. The songs
are atmospheric, heady, and just slightly obtuse...and yet there is also a
definite calming quality to the music. This is the sort of thing that won't
clobber you over the head...but if you have the patience to listen for two,
three, or four times...you will be greatly rewarded. Those damn folks at
Tiger Style really have their act together...great label name, killer
tiger logo (who DREW that anyway?), and GREAT music to boot. We hope we have
adequately conveyed the point in this band's music, as we are most
impressed...yes indeedy doo. To make the point concise and simple...GET IT.
(Rating: 5)
Midtown -
Save the World, Lose the Girl (CD, Drive-Thru, Rock/pop)
Loud and
fast punchy pop with smart hooks and clever guitars. A lot of people will
probably compare Midtown to Green Day, but the similarities are
actually few and far between. What initially caught our attention about the four
guys in this band is that they look normal. Refreshing...because virtually every
day of the year our mailbox is inundated with photos of self-conscious freaks.
Midtown tunes are reminiscent of California power pop/punk bands from the 1990s.
The songs are very melodic, but they are also just as powerful. The loud crunchy
guitars sound great against the throbbing bass lines. The vocals are up front in
the mix (with lots of harmonies happening), and in most cases you can understand
the words. While some may immediately mistake Midtown as just another bunch of
pretty faces, in actuality these guys are smart and right on target. Big upbeat
fun. Our top picks here are "Just Rock and Roll," "Another Boy," and "Knew It
All Along." (Rating: 4+)
Monster Magnet
- God Says No (CD, A&M, Hard rock)
Rough rockers
Monster Magnet have caught on in a big way with the music buying
public...as well as with those sick faggots in the plush and hostile offices of
the babysue empire (and believe us, them's two trains what don't hardly
NEVER meet one another NO day, NO way). This is a band that not only has raw and
groovy hard rock tunes...but they have a killer image that compliments the music
perfectly. Just as is the case with Marilyn Manson, the band photographs
on the CD inserts (courtesy of photographer Joseph Cultice) probably have
a great deal to do with this band's popularity (which is not to say that their
music isn't also cool). This band rocks hard and they play loud...but unlike
other hard rock monsters on the horizon, their songs actually have structure and
(gasp) you can even SING ALONG. The tunes on God Says No have some
definite seventies influences...but the overall sound is very modern. All the
components of this band are well above average...from the throbbing rhythms to
the fluid and tripped out guitars...to the terrific vocals of John Kay
lookalike frontman Dave Wyndorf. Cool cock rock for jocks with long locks
and black socks. (Rating: 5)
Moods For Moderns - Loud & Clear (CD, Doghouse,
Rock/pop)
Mmmmmmm...ZESTY! This CD is one big shot of FUN. Big, big,
BIG fun. Cathy, loud, direct, and totally terrific, Moods For Moderns
recreate a sound and style so well that you'd swear this disc was a reissue of
some great material from the mid-1970s that you somehow never heard the first
time around. But don't get 'em wrong...these three boys are very current and
their material is very timely. The band is based in Detroit, but their sound is
different from what you would normally associate with that city. These gentlemen
dispense pure pop ditties with ease and style. The album was recorded entirely
on analog equipment, which may help to explain how the band got such an
authentic 1970s sound. Moods For Moderns have a cool upbeat bubblegummy sound so
uplifting that we haven't had such a positive pop reaction since we heard the
last Pooh Sticks album. (Hey...whatever happened to the wonderfully under
appreciated Pooh Sticks anyway?). If you ever dug The Raspberries or even
the aforementioned Pooh Sticks, then you're going to want to check out Loud
& Clear. This band takes a wonderfully sincere approach to making music,
injecting it with excitement and energy that is sadly missing in many of today's
current acts. Tracks like "Lust for Luster," Popstar," "Two Tracks Left," and
"So Long Canada" will stick in your head for years to come... Beautiful
packaging completes the picture, making this CD a MUST HAVE for pop fans
worldwide. This is GREAT. (Rating: 5)
The Multiple Cat - The Golden Apple Hits (CD, Plow City Record Company,
Pop)
With most musical artist it like..."thank GOD they gone now." But when
you' talk to The Multiple Cat...the response is "YES and HAPPY for
RETURN." Happy because is band what for is producing very genuine wonderful
thing from couple of years back. In actual, prior and several CD still have home
in permanent collection. See, Multiple Cat always obscure and with delight
because no one has familiarity with. But unfamiliar not because of lacking, for
Pat Stolley of total remarkable yet remain to be obscured. All would be
taking fame for is some super hip to suddenly say, "What is Multiple Cat but for
being My Number One Favorite Band of Ever!" And although while we try saying
this, those word of own not hold enough water in big picture for swaying of
large number. But thinking about The Golden Apple Hits. No, is not
collection of what is greatest. Is rather new continuation of most wonderful and
rare Multiple Cat sound...although obvious surprise is to happen all along this
way ("My Country" for this example). Great "who cares" vocal style that we go
crazy about, and many tune for making of excited response. "Julliet," "Canvassed
and Spent," "King Me." What IS this man for singing about? THIS VERY VERY GOOD
THING YES. Yes, yes, YES. (Rating: 5+)
Nasty and the
Haters - We're All Bent Out Of Shape and
Confused (Enhanced CD, Lorto, Tribal)
Ho hum and la dee da. Another band
of stupid looking retards spewing out anger and hate. Though it may be difficult
to remember, once upon a time when a band spewed out intense venom it actually
MEANT something. But alas, that was long ago. And whereas once upon a time it
was novel and different, in these modern times hateful bands are a DIME A DOZEN.
Nasty and the Haters are the lastest dime in the gutter, and they're not
even worth the metal they're printed on. Nasty is a three-butted groaner, prone
to throwing temper tantrums and throwing up on the audience. The backup band
consists of some nameless high school dropouts that Nasty met at an underage
drinking party. Song titles like "I'm Going To Rape Your Banana Windshield" and
"Tore My Hole Out With Your Granny's Rib Cage" do nothing to stir any emotion
whatsoever. Poor Nasty and the Haters. They probably think they're being very
cool and different with all of their tatoos and body piercings...but in the end,
they actually end up looking...and sounding...just like MILLIONS of others...
(Rating: 2)
NatarajXT
- Tandava (CD, Nutone,
Dance)
Strange...yet not so strange. The music of NatarajXT (unlike a
great many musical artists of late) can be summed up easily. This band combines
traditional Indian music with electronic dance music. The hybrid is slightly
exotic in nature as well as somewhat of a bizarre mental trip. The group
consists of Rishi on sarod and esraj, Moltram on sitar, and
Kpi on the Rm1x and octapad. To be honest, we're not even sure what some
of these instruments are...? What we find most interesting is how effectively
these three individuals have managed to merge these two distinctly different
styles of music. What ought to sound foreign and awkward sounds about as natural
as warm cow juice in the sunshine (and things don't get much more natural than
that). If you have the same reaction we did to this music, you will most likely
find yourself dancing around the room with the phone book...trying to decide
which Indian restaurant you want to head off to for dinner. This is cool,
creative, and well executed. Readers may want to take note that Nutone is
a new dance label started by the always pleasing and clever folks at Nettwerk... (Rating: 4++)
No Motiv -
Diagram For Healing (CD, Vagrant, Power pop/punk)
These guys
have come a long way since their inception in 1995. Over the past few years the
band has gained a sizable following and has also played with many solid acts
like Blink 182, Jimmy Eat World, The Get Up Kids, and
others. Diagram For Healing is the most pop-oriented release that we have
heard from No Motiv. Oh now don't go getting upset that the band has
"lost their edge" (God how we HATE that goddamn phrase!!!). The music is still
loud and the guitars are still turned up all the way...but the tunes on this CD
are built around solid melodies. And the vocals are surprisingly restrained,
which actually works in the band's favor. In all honestly, we prefer the more
subtle side of this band's music. "Broken and Burned" and "Only You," both
mid-tempo tunes, are our favorites on this album...although the entire damn
thing rocks in a rather studious kinda way. Don't be misled by folks who lump No
Motiv in the punk category. This band's music is much too intelligent and varied
to be thrown into the briar patch. Another cool release from a band that refuses
to give up... (Rating: 4)
People With Kids (A directed message)
People With Kids should not have kids.
People With Kids should not have kids. People With Kids should not
have kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. People With Kids should not have
kids. People With Kids should not have kids. People With Kids
should not have kids. People With Kids should not have kids. People
With Kids should not have kids. (Rating: 1)
Placebo -
Black Market Music (CD, Virgin, Pop)
Hmmmm... Imagine
mixing vocals from the Bee Gees with the songwriting style of the
Chainsaw Kittens...add in the undivided support of David
Bowie...and then blend it all together with abstract guitars from the
twenty-first century. What do you get? Well...you get a band that is becoming
very successful in terms of units sold (at least). Actually, there are some
rather engaging tunes on Black Market Music...and the band is obviously
at their best when they do mid-tempo stuff. The more aggressive, loud tunes tend
to sound somewhat awkward and forced (although perhaps that is the point...?).
As much as we love the Bee Gees, the biggest problem we have with this band are
the vocals. The singer's voice isn't bad...but it just does nothing to draw us
into the music. This is a band with potential, and they've obviously already
garnered a great deal of attention doing things their way. (And besides...who
are we to be telling others what to do? Our top favorite bands are usually the
ones who seem to flop on all commercial levels.) So perhaps we should just shut
up and say that this is light but listenable stuff... (Rating: 3+)
Joey Ramone (Tribute to the world's most unlikely rock star)
We haven't been
this bummed by a rock star's death since the death of Marc Bolan. The
Ramones will always be at the top of our list of favorite bands. Who could
ever forget Joey Ramone adopting that awkward backward-knees stance
center stage at a Ramones concert and then proceed to yelp out lyrics promoting
child abuse, drug abuse, and spouse abuse? Never has there been or will there be
a more unlikely candidate for the position of rock star. The odd part was that
even though Joey sang about such odd topics, one always had the feeling that he
was actually a genuinely nice and cool guy who just happened to have an odd
sense of humor. Sure, the band lost their center of gravity as years went
by...and sure, the last few albums weren't so good...but in their prime, there
was no band on the planet that could match the pure intensity of The Ramones
(particularly the Leave Home and Rocket To Russia tours...we
highly recommend the Ramones Alive album, currently available as a
British import CD). And so...hats off to you Joey. Thank you for making us
laugh, scream, and go completely nuts on so many occasions... (Rating:
6)
Heidi Saperstein - The Devil I Once Knew (CD, Kimchee, Pop)
Possessing slight
similarities to a wide range of other artists...and yet not sounding quite like
any other...Heidi Saperstein is approaching music from her own cool
perspective. Prior to her solo career, Ms. Saperstein was the singer/guitarist
in the Boston band Shiva Speedway (a band we were not familiar with). The
songs on The Devil I Once Knew go all over the place. Some tunes are
fairly straightforward pop while others have a slight skewed quality that give
the listener the feeling that something awkward is going on behind the scenes.
Heidi has a vocal style that could very easily be applied to the commercial
world of computer generated digital crap that the public seems so hungry for
these days. But instead of going the easy route and giving the morons what they
want, this young lady is opting to provide music that requires more effort from
her listeners. (We always love it when an artist could easily alter their sound
to gain more listeners but instead chooses artistic integrity over commercial
success.) A word of caution. This disc takes a few listens to sink in, so don't
expect to be blown away immediately. With a little patience, however, you will
find that there are lots of cool and inviting tracks here. "Away," "Lady
Killer," and "The Night" are tops with us. Great stuff. (Rating:
4+)
Silver Scooter (Live performance at the Forty Watt Club in
Athens, GA, April 14, 2001)
If there is one CD that has really made an
impression on us this year, it most surely is The Blue Law by Austin's
Silver Scooter. While we would normally never drive to another city
just to hear a band play, when we heard that the band's latest tour did not
include Atlanta (smart decision...Atlanta SUCKS), we packed up our patio
furniture and headed off to Athens to see the band play. Because Athens is
a college town and it was Easter weekend, most students had left for the weekend
(which was a plus for us since we hate crowds). We ran into the four band
members outside the club before the show and found them to be genuine, friendly,
and polite (note that they displayed these traits BEFORE we told them that we
were writers...a BIG PLUS for Silver Scooter!). Fortunate for us, the
majority of this show consisted of material from The Blue Law...which was
just what we were hoping for. The band line up for this tour was Scott
Garred (vocals/guitar), Shaun Camp (keyboards/guitar), Tyler
Mallory (bass), and Tom Hudson (drums). (Shaun and Tyler also
play in another band called The Bright and
Hollow Sky which is stylistically similar to SS.) Seeing the band
play their material live, it became obvious to us that the new songs aren't
quite as simple as they sound on the CD. There are a great many slight
twists and turns in the band's material that is probably anything but simple to
play, particularly in a concert setting where it isn't always easy to hear what
one is playing. As the band played on, more and more folks made their way
into the club and to the front of the stage. By mid-show, there was a
decent-sized crowd who seemed pleasantly mesmerized by the band's haunting and
beautiful tunes. For us, the highlight of this particular show was the slow
and succinct "Dirty Little Bar," a tune that seemed particularly fitting on this
particular evening. In our humble opinion, there are few bands out there
right now who can match the pure melodic highs of Silver Scooter. This
show was easily the highlight of April 2001 for us, and we felt lucky indeed
that we were able to witness this particular event... (Rating:
5+)
David Singer - The Cost of Living (CD, Deep Elm, Experimental
pop)
Unpretentious music from an unpretentious one man band. David
Singer played and sang virtually every track on The Cost of Living
(although a few friends did lend a hand or two). But what we find most
interesting is that this doesn't sound anything like one man bands usually do.
This could be because instead of overdubbing everything to death (as one would
expect), Mr. Singer leaves tons of wide open space in his tunes. His songs are
very honest. David's voice ranges from extremely soft and plaintive to somewhat
of an aching yelp. Overall, this album is so subtle and understated that it is
likely to go unrecognized by most folks. Unfortunate, as there is something
about the undercurrents of this music that we find both arresting and
bewitching. We can't really come up with any comparisons for this one. Our top
faves here are "The Accident," "I Need To Be Able To See You," and "Madonna
Complex." Very different, yet very pleasing... (Rating: 5)
Super Model -
It Ain't Pretty (CD, Magic
City, Pure pop)
Clean, loud, melodic, energetic, and extremely hummable
punchy pop. We're honestly not sure if it is this particular band that is
affecting us this week...or if we're just in such a fantastic frame of mind that
almost everything sounds good...?!? But in any case, after giving Super
Model a few spins we finally decided...that we LOVE it. Oh sure, on the
first or second listen we were thinking "Oh no...not ANOTHER upbeat and hummable
POP BAND!" But you know, you have to attempt to have an open mind...particularly
when you're being hit with thousands and thousands of new bands each year. And
as most of us already realize, there are so many great acts nowadays that there
is really no way to take them all in. But back to It Ain't Pretty. Well,
they may call it that...but this here is one damn PRETTY collection of tunes.
Our favorites include "The Drink Song," "Do You Believe?," "Caitlin," and "Timmy
Dugan" (this last track absolutely ROCKS our SOCKS off). This band's music has a
super killer bubblegummy feel to it that is MOST appealing...and addicting.
Excellent soaring vocals throughout. Recommended. (Rating: 4++)
Theselah -
No Sleep, More Fun (CD, K.O.A.,
Pop/rock)
This is a very different sounding CD for a variety reasons. It is
also difficult to describe. Theselah is a four piece New York-based band
that is not taking a conventional approach to making music. The songs on No
Sleep, More Fun were all recorded on a four-track cassette deck. Considering
this fact, the recording quality of this CD is not only impressive...but
appropriate as well. The band's soft pensive vocal tracks are particularly
appealing, and blow us away both in terms of melodies as well as lyrics. The
understated beauty of tracks like "Nothing Special," "Lazy Dresser," and "Little
Song To Self" are extremely subtle. Other tracks are somewhat experimental
instrumentals that are interesting...but not nearly as intriguing as the band's
soft vocal material. The louder stuff ("Take It Fast or Take It Slow," "Anthem
of K.O.A.") seems almost out of place here, unless the idea was to add variety
(?). In any case, despite the fact that this disc contains hits and misses...we
still recommend it because the hits are great little obscure gems that will most
likely slip through everyone's hands (except yours, supposing you get your hands
on a copy). If this band can latch onto the best aspects of their music and
focus on them, they could easily score a higher rating in this campground with
their next release. An obscure oddity that you'll probably NEVER find in stores,
so we suggest visiting the label's web site (link above). (Rating:
4)
Toothless Tina (Poor old homeless bitch)
Walk, walk, walk on down the sidewalk.
Just mind your own business and enjoy the sunshine. Then out from under the side
of a cardboard swag comes that torn up old nothing, Toothless Tina. There
ain't no bar of soap on the planet what can clean up a mess like hers is, so she
just goes on about trailing her stink in and out of anyone's point of view. With
a dress that could frighten game show hosts, Tina tinkers back and forth, back
and forth...barely able to stand up at times and always thirsty for something.
The only thing nice about Tina is that she is good to kick. You can kick her
hard and you can kick her silly, you can kick her ribs in, and you can kick her
willy. Teeth come first, and without them...nuthin' ain't nuthin. (Rating:
2)
John Vanderslice - Time Travel Is Lonely (CD, Barsuk, Pop)
Some folks may remember
John Vanderslice as a member of the band Mass Suicide Occult
Figurines. We did not, although we certainly dig the band name. Even though
this is his second solo release, this disc serves as our introduction to the
music of Mr. Vanderslice. This guy is damn GOOD. His vocals and his style of
songwriting remind us of David Bowie and Guided By Voices (more
the former than the latter, although his overall sound isn't that familiar to
either). The songs are basically pop music, but there are odd little audio
snippets zipping in and out of the speakers that keep them from sounding normal
or familiar. This is a disc that we're going to have to play many, many times to
fully appreciate and "catch" all the intricacies and nuances. Our top favorite
here is "Emma Pearl"...although we haven't quite "gotten" what the lyrics mean.
Another keeper in this camp is "Gainesville, Fla" (probably the most
Bowie-influenced). This guys is not only good...he's approaching things from his
own distinct viewpoint...and he has his own unique sound. IMPRESSIVE. (Rating:
5)
Violet Indiana - Roulette (CD, Instinct/Bella Union, Atmostpheric
pop)
Violet Indiana is the duo of Robin Guthrie and Siobhan
de Mare. Mr. Guthrie has worked with an amazing array of artists in the
past, including the Cocteau Twins, Wolfgang Press, Harold
Budd, Frente, and more. Ms. de Mare was previously in another band
called Mono. The combined talents of these two combine to create heavily
produced, thick, atmospheric pop soundscapes. The tunes on Roulette are
heavy on overdubs, but what makes the tunes really cook are the vocals. Ms. de
Mare has a nice heavenly way of turning a tune that is most inviting. Add the
impressive production courtesy of Mr. Guthrie and you have soft, heady pop music
that is not all that unlike the previously mentioned Cocteau Twins. Our favorite
compositions are "Air Kissing," "Sundance" (top pick), and "Killer Eyes." In
addition to twelve neat tracks, this disc also contains a video of "Purr La
Perla." Neat stuff, very well executed... (Rating: 4++)
The Weisstronauts -
Featuring "Jaunty" (CD, Stereorrific,
Instrumental)
Absolutely and thoroughly entertaining.This is the debut
full-length release from The Weisstronauts...and we are proud to report
that it is a MINDBLOWER. If you were ever keen on guitar instrumentals, then
this is the new band that you are going to LOVE. Instead of sticking to one
particular genre of music, these five folks instead opt to whiz all over the
place...playing whatever strikes their fancy. The music has a nice simple open
sound that one would normally associate with music from the 1950s. Melodies are
key in this campground, and the guitar playing is about as sharp and sassy as
two dozen woodchuckers in Texas. The cool toe tapping rhythms are certain to put
you in a good mood, and that seems to be the main point here. In all honesty,
there ain't a loser in the bunch here...but our own particular favorites are
"Mornin' Ma," the title track, "Psychedelic Whiplash" (this one's SUPER!), and
"Topaz." Totally KILLER stuff by a band that is anything BUT pretentious. We're
always on a search for the sincere and genuine...and in this case, that hits the
nail on the head. Extremely great music to drive by...YES!!! (Rating:
5+)
Rosa Chance Well - Rosa Chance Well (CD, Kimchee, Pop)
Mmmmmm...tasty.
Mighty tasty stuff. As much as we have tried, we cannot come up with any
appropriate comparisons. Rosa Chance Well is the duo of Vanessa
Downing (formerly a member of The Wicked Farleys) and Dean
Taormina. The duo possesses a great many traits that are usually absent in
modern pop acts. Specifically we find these elements to be (1) a wonderful sense
of melody, (2) great lyrics, (3) superb vocals, and (4) an admirable lack of
restraint. Regarding element #4, we have become oh-so-tired indeed of all the
unnecessarily overproduced crap that comes down the pipeline lately. And it is
always so obvious to us that all the overproduction is usually to hide the fact
that there is nothing inside. There is a hearty meatball to be found hiding
inside the juicy red center of Rosa Chance Well. And if you are industrious
enough to obtain a copy of the CD and give it a spin you will see just what we
mean. These folks are genuinely and truly talented. But what makes them even
more engaging is the fact that they aren't trying too hard (another common
stumbling block for many new artists). Fabulous tunes like "A Wonderful Life"
and "And So Then Were We" make this disc a fantastic listen. Most intriguing.
(Rating: 5)
Wellwater
Conspiracy - The Scroll and Its Combinations
(CD, TVT, Rock/pop)
TVT hits
the jackpot...for the second time in 2001 (!). The latest Guided By
Voices was their first score...and now comes the SECOND HOME RUN. We were
already impressed by the first two CDs from Wellwater Conspiracy...but
they didn't really prepare us for this. The band has really gotten tight and
focused their style...to the point that they are now quite accessible and (gasp)
even marketable (usually a crummy word in this office suite).
We're not even going to bother to mention that the band features former
Soundgarden drummer Matt Cameron and Monster Magnet
founding member John McBain...because there is no reason why you would
need to know this information anyway. And besides...the band's music sounds like
NEITHER ONE ANYWAY. This whole CD is one meaty chunk of munchy nuggets...but the
more obtuse and spacey tracks are the best ("What Becomes of the Clock" is our
top pick). Production is top notch, as is the songwriting overall. This is an
extremely satisfying and unique CD from a band that just keeps getting BETTER...
(Rating: 5+)
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